91.9 Royal Blue Alternative Radio | Cyberpunk 2077



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Inspired by other alternative radio channels, such as julius and GTA Fan Made Radio.

Genre: Classic jazz, bebop, post-bop, jazz fusion, jazz-funk, free jazz, avant-garde and jazz rock.

“Music from more than 100 years ago. Playing diverse selections of classic jazz, from 1950s bebop to late 1970s jazz fusion. Featuring the likes of Chet Baker, Miles Davis, Lee Morgan and more.”

My first ever non-GTA alt radio. If this one is well received, I might actually try more non-GTA radios.

This playlist is basically an synthesis of JNR and Fusion, it has elements of both. But this radio also has more experimental and free jazz/avant-garde jazz twist to it. But one thing I don’t really like about Cyberpunk radios in general, not just this one, is the fact that they didn’t really put a DJ or at least jingles on this. It’s just felt a bit generic sometimes, would be nice to have few lines here and there.

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24 thoughts on “91.9 Royal Blue Alternative Radio | Cyberpunk 2077”

  1. Tracklist:

    (00:00) "Reggie of Chester" by Lee Morgan (1956)
    (04:52) "Happy Times" by Freddie Hubbard (1961)
    (09:15) "Moon of Manakoora" by Wayne Shorter (1961)
    (12:54) "But Not For Me" by Chet Baker (1954)
    (15:53) "That Old Feeling" by Chet Baker (1956)
    (18:51) "I Can't Get Started" by Lester Young (1960)
    (21:57) "Midnight Blue" by Kenny Burrell (1963)
    (25:50) "Blue Rondo" by Jackie McLean (1964)
    (30:33) "Brownie Eyes" by Clifford Brown (1954)
    (34:23) "Pale Blue" by Mary Lou Williams (1976)
    (38:45) "It Was A Very Good Year" by Craig Hundley Trio (1968)
    (41:31) "Bassism" by Sun Ra (1961)
    (45:27) "Nardis" by Bill Evans (1965)
    (51:10) "Sometimes I Cry" by Les McCann (1971)
    (56:17) "Maiden Voyage" by Blood, Sweat and Tears (1972)
    (01:02:14) "Happy Pretty" by Zitro (1967)
    (01:06:03) "Pharomba" by Pharoah Sanders (1977)
    (01:10:27) "Jeannine" by Lonnie Smith (1967)
    (01:13:49) "B.C" by Dave Hubbard (1971)
    (01:18:26) "Puttered Bopcorn" by Patrice Rushen (1974) (Muted)
    (01:22:36) "On The Corner (Take 4)" by Miles Davis (1972)
    (01:27:43) "I'll Move You, No Mountain" by Hank Crawford (1975)
    (01:31:34) "Santiago" by Dedalus (1973)
    (01:35:36) "Stopover Bombay" by Alice Coltrane (1971)
    (01:38:20) "Elephant Trot Dance" by Khaliq Al-Rouf and Salaam (1979)
    (01:44:31) "Malcolm, The Call" by Khaliq Al-Rouf and Salaam (1979)

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  2. It's very interesting for CDPR to add a jazz radio into this game because it does not really fit the whole backdrop of the Cyberpunk world (and sadly there isn't a similar radio in GTA or Fallout franchise) , nevertheless the fun it brings is huge and I do enjoying picking this station while driving my Type-66 Cthulhu 🙂 Thanks for uploading this!

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  3. After watching cyberpunk edgerunner, I played cyberpunk 2077. Idk why I did, but I was driving with jazz station radio on. The neon signs of the city, rain, the voice of Chet Baker. It was peculiar emotional combination. I kept drive as if I'm David or V. I was drunken by all the sentiments of Night City.
    Until V was riding the bike with T pose.

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  4. Can someone yell me thy there isn't an onfoot radio in this game? I mean just imagine using a sandy and blasting through enemies with a satara while this plays in the background.

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  5. imagine after the fight with adam smasher,you are driving 911while it's royal blues playing,neon lights outside the car all are blinking to you😘

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  6. Multiple songs here have been sampled in MF DOOM tracks. Like the keyboard solo in Jeanine. Great selection from CDPR as well as Madlib for utilizing these great jazz tracks.

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  7. This radio goes along perfectly with the most insanely terrible driving possible after just executing an incapacitated grunt with a point blank shotgun blast

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  8. My two favorite radio stations are this one and morro rock because at least Jazz and Rock are the last genres that are entirely human and from the past. Instead of the automated and futuristic world that we see in game.

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